Culture comparison
The Roots of Brazil dabbles with the ideas of the cordial
man as core culture identities that make up Brazil. The same core identities can
be observed in Que Horas Ela Volta.
The first example is the idea that
the cordial man of Brazil feels exiled, in the sense that they come from the Iberian
Peninsula, a more “civilized” part of the world, and that when they made the
voyage across the Atlantic to Brazil, they arrived in an unfamiliar land. The
Iberians, that is Spaniards as well as the Portuguese, felt exiled because they
experienced similar feelings to exile; a harsh unknown land with an unknown
journey with unknown people. A similar sentiment can be observed in Que Horas
Ela Volta, when the daughter decides to come to São Paulo to not only study,
but to live in the house of her mother’s boss. Jessica is in her own way
experiencing the symptoms of the native Brazilian’s “exile”, Jessica doesn’t
know what to expect and how to behave in this new area that she is now calling
home. The culture shock and friction that Jessica experiences in São Paulo
parallelizes a similar endeavor that the Iberians faced when coming to the land
of Brazil.
The strong contrast in culture
experienced by the Iberians can be further extrapolated to the notion of a
laissez-faire relaxed life that is emblematic in Brazil. The cordial man
upholds the value not to overburden himself with work, so that he does not
incur further hardship which would detract from a relaxed mindset. This indeed
too, is clearly represented in Que Horas Ela Volta, by the father Carlos and
the son Fabinho. They both remain a very calm and relaxed lifestyle, not
overburdened by work, free to enjoy life’s pleasures. However, similarly to how
a cordial man of Brazil is often faced with a mirror from North America, asking
for introspection and reconsideration of one’s lifestyle, the same
interpretation holds true for Carlos and Fabinho, as they receive not only
pressure from their housemaid Val and Carlos’ wife Barbara, but from the
outside world as well as Fabinho prepares to enter university.
Although there is pressure that the
cordial Brazilian man receives, where it be of internal or external forces, there
is also a power that draws the family together. Val, having worked with this
family for many years, is in a way a part of the family. She buys gifts for
them, feels a closeness to all of its members, and holds a particularly strong
penchant for the son, Fabinho. The cordial man feels this as well, with his
interests placed primarily for that of himself and those immediate to him as
well. This strong tie, this powerful sentiment that is nearly ubiquitous across
all of Brazilian life, also brews a rather interesting conflict. There is a
large conflict that exists between the civic duties and the personal duties,
with unintended prioritization as well as amorphous boundaries being created.
Val exhibits a profound case of this, with her potent fondness of Fabinho which
is far from kindship. This conflict between her love of the family and her role
as a housemaid brews some unintended feelings, particularly from Barbara, whose
ideology emphasizes civic duty over personal duty, a reverse prioritization
from that of Val. The cordial man experiences these feelings too, as they
consider what is best for their family, and can sometimes digress to their
civic duties.
The primary personal nucleus
however still strongly prevails, as the cordial man’s personal life centers
around that of his immediate friends and family. He might fail to thoroughly
seek out those that are around him, not only echoing the sense of exile that he
feels but this also CREATES a lack
of infrastructure for the cordial man to seek out his possible peers, and this
infrastructure is public space. Throughout Brazil, even in such bustling
metropolises like São Paulo, there is little to no public space. This part of
daily life is demonstrated as well in Que Horas Ela Volta, where effectively
the entire film centers around family and close friends. There is no public
space demonstrated, there is just a divide, a divide that exists between others
outside of one’s circle.
I really liked how you pointed out that the notion of lack of public space appears the movie - that is actually, in my view, a central part of the history. Exactly, the public space is always segregated, and in a way represents all the other social conflicts that we see in the movie. Also, I really liked that you used the other concepts of the book in your analysis. Great job!
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